King Vs. Kubrick: The Shining in Review

Written by: Summer Griffin

Stephen King’s “The Shining” stands as a towering monument in the pantheon of horror literature, a chilling exploration of the human psyche and the sinister forces that lurk within. Set against the backdrop of the isolated Overlook Hotel, King crafts a narrative that delves into the depths of obsession, addiction, and the darkness that resides within us all.

At its core, “The Shining” is a tale of a family in crisis. Jack Torrance, a struggling writer with a troubled past, accepts a job as the winter caretaker of the Overlook Hotel, hoping for a fresh start with his wife Wendy and their young son Danny. However, as the hotel’s malevolent influence begins to take hold, Jack’s descent into madness becomes inevitable, threatening to tear his family apart.

What sets King’s novel apart is its masterful exploration of character and atmosphere. Through his meticulous attention to detail and expert pacing, King creates a sense of dread that is palpable from the very first page. The Overlook Hotel itself becomes a character in its own right, a sprawling labyrinth of corridors and secrets that mirrors the twisted landscape of Jack’s mind.

One of the most compelling aspects of King’s novel is its portrayal of the supernatural. While the hotel is undeniably haunted, King leaves it ambiguous whether the malevolent forces at play are external or simply manifestations of the characters’ own psychological traumas. This ambiguity adds an extra layer of depth to the narrative, inviting readers to ponder the nature of evil and the limits of human perception.

Of course, no discussion of “The Shining” would be complete without addressing Stanley Kubrick’s iconic film adaptation. While Kubrick’s film is widely regarded as a classic in its own right, it diverges significantly from King’s original vision. Kubrick famously eschewed much of the novel’s supernatural elements, opting instead for a more psychological approach that focused on Jack’s descent into madness.

This difference in approach is perhaps most evident in the characterization of Jack Torrance. In King’s novel, Jack is portrayed as a sympathetic figure, struggling to overcome his own demons while grappling with the malevolent influence of the hotel. In Kubrick’s film, however, Jack Nicholson’s performance transforms Jack into a more overtly sinister figure, a man teetering on the brink of madness from the outset.

Despite these differences, both the novel and the film remain essential works in the horror genre, each offering its own unique interpretation of King’s haunting tale. “The Shining” continues to captivate readers and audiences alike, reminding us of the enduring power of fear and the darkness that lies within us all.